As one of the brands of Muses of the Woods, Jean Paul Gaultier finds in Yana a muse who amplifies his theatrical codes.
The silhouettes are bold, the details extravagant, yet on her they feel elemental, like markings drawn from the forest itself.
The couture excess is translated into ritual: fabric gleams like water at dusk, volumes swell like roots pushing through the soil.
Yana does not imitate Gaultier’s vision—she reclaims it. The forest becomes his stage once more, but stripped of spectacle, reframed as myth. Through her, Gaultier’s drama finds a new depth: less performance, more invocation.
With Chopova Lowena, Yana inhabits a different register—raw, folkloric, kinetic.
The tartans, the patchworks, the layered kilts do not rest on her; they move with her, echoing ancestral rhythms. She vaults through the woodland like a spirit of folklore, every step charged with untamed energy.
Chopova Lowena has always woven tradition into rebellion, and Yana embodies this perfectly.
On her, the garments are not nostalgia but living ritual—an inheritance reimagined, a folklore sharpened into power.
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