Bags, for Lotta, are containers of emotion — vessels of movement, memory, and identity.
The Martine Rose Bag stands like a paradox: structured but vulnerable, bold yet intimate.
It carries the energy of someone who has learned to belong without ever fully blending in.
Beside it, the Chopova Lowena Bag express the playfulness of rebellion — straps and buckles like fragments of freedom, a wink to the teenage spirit that refuses to fade.
In Lotta’s compositions, these bags are not objects; they are love letters folded in leather and fabric, each one holding a different layer of Copenhagen — the morning light, the sound of rain, the scent of independence.
Shoes trace the rhythm of a city — and for Lotta, the Boots of Toteme, Ganni, and Rick Owens are her emotional footprints.
Their design carries the quiet strength of someone who has walked through change with grace; each sole marked by the poetry of daily repetition, of routes that lead nowhere and everywhere at once.
Copenhagen, to her, feels like The Graduate — nostalgic, suburban, both familiar and distant.
In that uncanny balance, her shoes become metaphors for the human journey: elegant yet worn, minimal yet full of meaning.
Through accessories alone, Lotta translates her own love story with Copenhagen — not as a person, but as a feeling.
And in that stillness, you can almost hear the sound of the city breathing between the layers she leaves behind.
