Dinner in Galleria Montegani became a ritual — not of luxury, but of warmth and human scale.
The room glowed with soft light, candles reflecting in the windows, and flowers punctuating every corner with colour and scent.
Each guest wore ROTATE in their own way — draped in velvet, sequins, satin, or tailored silhouettes that shimmered with personality.
The brand’s language — bold yet human — mirrored the people wearing it.
ROTATE doesn’t speak in trends, it speaks in moments: a spontaneous movement, a glance across the table, the subtle tension between strength and softness.The stove in the corner, the delicate floral arrangements, and the curated details by THE FLAMEL created a backdrop that made every gesture and smile feel cinematic, intimate, and unforgettable.
As the night drew on, something lingered in the air — not perfume or music, but the feeling of belonging.
This dinner wasn’t only about celebrating a launch; it was about celebrating the people who make fashion emotional.
With Jeanette and Thora present from Copenhagen, it became a cross-city dialogue — a story of collaboration, creativity, and love for what we do.
In the end, The Flamel Loves Rotate isn’t just a name. It’s a statement of connection — between Milan and Copenhagen, between glamour and sincerity, between how we dress and how we feel.
Because at its best, fashion isn’t about perfection — it’s about people, emotion, and the beauty of what happens when both meet at the same table, surrounded by flowers, candlelight, and the warmth of a stove.
THE FLAMEL LOVES ROTATE DINNER
